Archives

Is Sampling Dead?
The Inquisition: Girl Talk
RZA: Beyond Shaolin
Sam Weber
Robert Standish
Dave Kinsey
2007
Art Company, Inc.
American Twilight
Ben Tour
Morning Breath
The Redemption of David Choe
2006
Unquiet Ruins
Fables & Folktales
Programmed Perfection
Pedal-Powered Revolution
2005
Cody Hudson: Living the Dream
Eve of Destruction
Musical Graffiti II
Writers' Bloc
Fatlip: Clownin'
James Lavelle
Reboot the System
Flo Zavala: Strange Brew
Team Sleep: Not your little brother's Deftones
BoxBots
Aesop Rock: Labor Days
David Gensler: Trust the KDU
Musical Graffiti I
2004
Vis-Ed: ehquestionmark
DJ Krush: International Affairs
Surface To Air
Swoon: Off the Wall
Múm: Summer Made Good
Funkstörung: Disconnected Pop
Rhyme Wave: Eyedea & Abilities
The Barnstormers: Southern Comfort
Urban Art Renewal
Princess and the Pirate
Re:Session: Beam
In the Studio: Blockhead
HVW8: Politically Minded
2003
Kinsey: LA's Magic Marker
Vis-Ed: HVW8 Art Installation
Faile Safe

Published Work

Published Work

Robert Standish | Juxtapoz Magazine | Matthew Newton

Robert Standish photographed by Estevan Oriol.

"Untitled (Woman with Folded Arms)," 2004.

"Girls, Girls, Girls (Viagra)," 2006.

"Untitled (Lips Reflecting)," 2004.

Robert Standish

Robert Standish is late. Not by hours, or even an exorbitant number of minutes, but tardy enough to cause mild concern. His large Malibu home, a multi-level building perched at the edge of the Pacific Coast Highway, is dark. The half dozen cars and SUVs parked in the driveway are quiet, the engines free of knocks and pings or any hint of recent use. And though one would assume the home’s doorbell is wired properly, multiple pushes of the button have not summoned a single person. It would appear, to even the most dull-witted observer, that Mr. Standish is not home. That is, until a Toyota Prius comes speeding to an abrupt halt in the driveway.

Published March 1st, 2008 in

Published Work